A Fine Old New Guinea Ancestor Figure Asmat People West Papua Irian Jaya Indonesia

A Fine Old New Guinea Ancestor Figure Asmat People West Papua Irian Jaya Indonesia

This old and used Asmat Ancestor Figure or kawe is from the Momogo Village in the remote Northwest Asmat area on the South Coast of West Papua (Irian Jaya) Indonesia.

The male ancestor is standing with his legs slightly bent as if he is in motion moving toward you, the hands are held at the front of his waist.  Carved from a single piece of medium-density wood, the figure has no base or way to stand independently this is because the older figures were tied onto the walls inside the Men’s Ceremonial House or Jeu.

The main Asmat creation myth is about the creator Fumeripitjs who was lonely so he carved figures from wood and then he made a drum, when he played the drum the carved wood figures came to life and that is how the first Asmat people were created.

I spent a lot of time in the Asmat region in the early 1980s and sculptures of this quality were rare.  This figure at collected in Momogo Village on the upper Pomatsj River in the remote NW Asmat area in 1986.  There was only one old man who was a Wow Ipitsj or master carver in that small village.

Many of the artworks that I field collected in the Asmat & Mimika are now in important Museum collections around the world like The Musee du Quai Branly in Paris France. When you walk into the Oceanic Art pavilion the first thing you see are the monuments of Ancestor Poles from the Asmat & Mimika Cultures along with Shields & Dance Costumes, all of which I field collected.  These artworks were in a superb exhibition in 1996 The Asmat et Mimika at the National Museum of African and Oceanic Art in Paris ( now part of the Musee du Quai Branly ) and published in the prestigious Louvre Museum Magazine the same year 1996.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

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If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Headrest Coastal Sepik River Area Papua New Guinea

A Fine Old New Guinea Headrest Coastal Sepik River Area Papua New Guinea

This beautiful old and well-used Headrest or Neckrest is from the Coastal Sepik Area in the East Sepik Province of Papua New Guinea. Both ends of the Headrest is in the form an Ancestors Head with a small totemic animal coming out of the mouths.  The horizontal support with the head is a single piece of hardwood with a warm old patina from long use. The legs are made from two pieces of cut bamboo.

Sleeping on a Headrest with ancestors heads protects the person when sleeping from malevolent spirits and dreams. Also, the more practical aspect is in many places in New Guinea men had elaborate hairstyles that they spent time and effort to keep looking their best, The headrest helps protect their hairstyles while sleeping.

Provenance: The Todd Barlin Collection Of Papua New Guinea Oceanic Art

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If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Lime Spatula Sepik River Area Papua New Guinea

A Fine Old New Guinea Lime Spatula Sepik River Area Papua New Guinea

This old and beautiful Lime Spatula finial was collected in the Middle Sepik River Area of Papua New Guinea in 1967 by geologist Andy Kugler.  Kugler was working in the upper Sepik Area at the same time that curator Douglas Newton from The Museum of Primitive Art in New York the forerunner of The Micheal Rockefeller Wing of Oceanic Art at The Metropolitan Museum of Art in New York City.  This spatula was missing the long stick that was used to chew lime with betel nut, the finial with looped top and when you look closely below you will see three small ancestor faces, one face is facing forward and the other two flanking it on the sides the faces in profile. The piece has a very old patina from long use. Kugler had much of his collection on loan with The Museum of Primitive Art and some of these artworks were published in the famous book on the upper Sepik cultures: ” Crocodile & Cassowary ” 1971 by Douglas Newton.

Provenance: Collected by A. Kugler 1967 in New Guinea. 

The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

 

INQUIRE HERE

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Ancestor Figure Ramu River Area Papua New Guinea

A Fine Old New Guinea Ancestor Figure Ramu River Area Papua New Guinea

This older & used Ancestor Figure was collected in the lower Ramu River Area in Madang Province of Papua New Guinea. In the form of a male Bird Man Ancestor wearing a ceremonial headdress.  This cute little figure I bought in a village not far from the mouth of the Ramu River. It was something an old man brought out to sell. I asked about it and he said it was just a memory of his grandfather.  Though standing on a little rounded base it didn’t stand up on its own, it now has a wood base so it can be displayed on a shelf or table. The figure has an old patina from handling.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Canoe Ornament Humboldt Bay West Papua Irian Jaya Indonesia

A Fine Old New Guinea Canoe Ornament Humboldt Bay Area West Papua Irian Jaya Indonesia

This beautiful old Canoe Ornament is from the Humboldt Bay area on the Northwest Coast of West Papua Irian Jaya Indonesia. These Canoe Ornaments are like no other type of New Guinea Art, they use totemic animals like birds & fish but incorporate them together in very imaginative ways, sometimes they morph out of each other or stacked and joined in many amazing ways.

In the  1980’s I visited almost all of the villages up & down the coast, one day I went to the village of Demta which is a large village with about 50 canoes sitting on the beach,  each canoe had a Canoe Ornament on the front.  After spending part of the day there I asked some men ” Would you like to sell their canoe prow ornaments? ”  The answer was ” No we need them ”   I was perplexed but they then explained those canoe ornaments protected people when fishing from bad weather and other dangers and they helped to provide a successful fishing trip. So none of the ornaments on the canoes could be sold but they said they had old ones that were from parents’ or grandparents’ old ruined canoes. This was good news for me that I could buy some Canoe Ornaments after all & ones that didn’t have store paint on them.  This story was repeated up and down the coast to almost all the villages I visited.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honored by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See my new EXHIBITIONS GALLERY  showing the Museums and Art Galleries Exhibitions that I provided artworks for over the past 40 years. There is the link to the article about my artworks published in the prestigious Louvre Magazine in 1996

I have artwork for Museums and art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery. I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specializes in New Guinea and Oceanic Art.  Sydney is very close to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbors.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us 

 

A Rare Vanuatu Ceremonial Mask Malekula Island Vanuatu Published

A Rare Vanuatu Ceremonial Mask Malekula Island Vanuatu

This beautiful older and used ceremonial mask is from the Small Namba People from the interior of Malekula Island in Vanuatu.  In 1986 and 1987 I made three trips to Vanuatu to look at traditional art and culture. The people in Vanuatu are so kind, helpful, and generous everywhere I went and stayed in Vanuatu I was treated this way.  People took me into their homes & fed me and gave me the chance to get to know people and make contacts with traditional artists preparing artwork for the ceremony.  This beautiful Hat Mask came from the village of Venamboas in the interior of the SW Bay Area of Malekula island.  It took a whole day to negotiate the visit to this village where I was given the chance to see & purchase some artworks including this Mask. The mask is made from a bamboo frame and covered in a type of bush rope & covered in a vegetable fibre paste that is regularly used in artworks from Malekula.  This mask I have kept for a long time (30 years) because all the years I have owned I enjoy looking at it each day. The ochre-painted designs give the mask a vibrant modernist feeling.

In the field photos above you can see the people who were there that day, the man in the photos made the Hat Mask in this listing his name was Kaiar

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

Exhibited: Oceanic Arts Pacifica: Artworks from the Todd Barlin Collection at the Casula Powerhouse Arts Centre 2014 Sydney Australia

Published: Oceanic Arts Pacifica: Artworks from the Todd Barlin Collection at the Casula Powerhouse Arts Centre 2014 page 66

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Spear Finial Abelam People East Sepik Papua New Guinea

A Fine Old New Guinea Spear Finial Abelam People East Sepik Papua New Guinea

This beautiful old spear is from the Abelam People in the East Sepik Province of Papua New Guinea. Likely cut down from a 400cm spear to its present height of 83cm. The upper part is carved with two ancestor figures one on each side, their arms and legs done in a stylized manner that is the ingenuity of the Abelam artist who made this spear. The spear has an old black patina overall and with remnants of white ochre . The spear is dating from the late 19th to the early 20th Century.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Headrest East Sepik Province Papua New Guinea

A Fine Old New Guinea Headrest East Sepik Province Papua New Guinea

See more Fine Neckrest / Headrest in Neckrest Gallery

This old and well-used Headrest (neck rest) is from the Sepik Plains area in the East Sepik Province of Papua New Guinea. Finely carved at both ends with a stylized crocodile head.  Crocodiles play a central role in the art and culture of the Sepik River people. According to one of the Iatmul people’s Middle Sepik creation mythology, an ancestral crocodile was responsible for forming the land. In the beginning, the earth was covered by a primordial ocean, into whose depths the crocodile dived. Reaching the bottom, it brought up on its back a load of mud, which became an island when it surfaced. From that island, the land grew and hardened, but it continues to rest on the back of the ancestral crocodile, which occasionally moves, causing earthquakes.  Even today initiated Sepik Men have body scarification’s on their back, and chest shoulders to resemble crocodiles.

The horizontally carved part of this headrest is made from a single piece of hardwood & the legs of the headrest are made from strong bamboo.

Provenance; The John and Marcia Friede Collection NY: now his collection known as The JOLIKA Collection is now mostly in the De Young Fine Art Museum in San Francisco California. 

The Todd Barlin Collection of Papua New Guinea Oceanic Art

INQUIRE HERE

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Ancestor Figure Ramu River Area Madang Province Papua New Guinea

A Fine Old New Guinea Ancestor Figure Ramu River Area Madang Province Papua New Guinea

This finely carved older used male Ancestor Figure is from the lower Sepik River area of Papua New Guinea. In the form of an anthropomorphic bird man that represents a category of powerful ancestral beings called waken.  Small amulet figures like these were kept by men in small woven bags  They were used for magical purposes such as; love magic, controlling the weather, hunting for wild pigs & cassowaries, to protect the owner and his family from malevolent sorcerers & the spirit world.  This figure dates from the 1940-1950s

Provenance:  The Late Leo Fortess Collection (1918 – 2002) was well known for collector of Pacific Islands art and artifacts. Over 50 years of collecting Fortess made an important collection of Pacific Art & Artefacts part of which was donated to public institutions.   

The Todd Barlin Collection of Oceanic & New Guinea Art

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old New Guinea Ancestor Figure Asmat People West Papua Irian Jaya Indonesia

A Fine Old New Guinea Ancestor Figure Asmat People West Papua Irian Jaya Indonesia

This old and used ancestor figure or kawe is from the Coastal Asmat area on the South Coast of West Papua (Irian Jaya) Indonesia.  The female figure is poised as if walking one leg slightly forward, the arm loosely held at her sides. Made from a softwood (mangrove tree) as all older Asmat figures should be, it also has no base or way to stand independently this is because old figures were tied on the walls inside the Men’s Ceremonial House or Jeu.  This figure has an old patina from handling

The main Asmat creation myth is about the creator Fumeripitjs who was lonely so he carved figures from wood and then he made a drum, when he played the drum the carved wood figures came to life and that is how the first Asmat people were created.  For the Asmat the connection between trees and people is profound.

Provenance: Ex-Catholic Mission Merauke, South Coast West Papua. The priests and brothers at the Catholic Mission in Merauke had carvings like this figure that were collected over 50 years of their staff working in many remote areas of the Asmat. 

The Todd Barlin Collection of Oceanic Art

Many of the artworks that I field collected in the Asmat & Mimika are now in important Museum collections around the world like the Musee du Quai Branly in Paris France. When you walk into the Oceanic Art pavilion the first thing you see are the monumental Ancestor Poles from the Asmat & Mimika Cultures along with Shields & Dance Costumes, all of which I field collected.  These artworks were in a superb exhibition in 1996 The Asmat et Mimika at the National Museum of African and Oceanic Art in Paris ( now part of the Musee du Quai Branly ) and published in the prestigious Louvre Museum Magazine in the same year 1996.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.