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Art For Sale

Two Superb Solomon Islands Ancient Shell Chief’s Ornaments Western Solomon Islands

Two Superb Solomon Islands Ancient Shell Chief’s Ornaments Western Solomon Islands

These two Ancient Chief’s Shell Ornaments are from the Western Solomon Islands. They are likely 200 + years old dating from the 18th Century, they are of the oldest type.

I had several 19th Century Barava or Bokolo or Zaru Chiefs Ornaments over the past 40 years but these oldest & the nicest examples I have ever owned. 

Both Ornaments have double totemic Hornbill Bird Heads at the top of the ornament, the one on the right in the photo has five smaller holes surrounding a central hole and a small part of the lower right corner is missing.

These very important objects were often broken when the Chief that owned them died, it was then placed on their memorial.  

Reference: Barava: land title deeds in fossil shell from the western Solomon Islands by Rhys Richards and Kenneth Roga Te Papa Museum of New Zealand (2004)

Provenance:  The Elizabeth Pryce Collection of Oceanic Art.

The Todd Barlin Collection of New Guinea & Solomon Islands Oceanic Art

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours. 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Superb Solomon Islands Throwing Club from Rennell or Bellona Island 19th Century

A Superb Solomon Islands Throwing Club from Rennell or Bellona Island Polynesian Outliers in the Solomon Islands dating from the 19th Century

See more Fine Clubs in Clubs Gallery

This fine old Throwing Club is from either Rennell or Bellona Islands which are two small islands that are Polynesian Outliers in the Solomon Islands. The Solomon Islands are predominantly a Melanesian county expect a few small islands like Rennell and Bellona which were settled by Polynesian people. Between 2000 and 1600 BC, people belonging to the Lapita Culture made their appearance. Then by Lapita people about 1000 BC. The next settlement occurred on both Rennell and Bellona around 130 BC, with another major occupation in about 1000 AD.  Later settlement of Rennell occurred prior to 1400 AD by Polynesians from Uvea, now Wallis Island.

This superb Club is made from a single piece of hardwood, the final is carved with eight well-balanced pointed lobes, this is the striking section of the club. The club has a very finely braided coconut fibre coir sting that is lashed to the club in an intricate pattern that would have taken great skill & time to make.  The club has a beautiful old dark brown patina

Throwing clubs are well known in places like Fiji, they were kept tucked into a warrior’s belt to be thrown at an adversary if they were running away.  These clubs were thrown with great skill and accuracy, they would stun & knock down the retreating person until the warrior could finish them off often with a larger heavier club.

Provenance: Collected by a Captain on the Melanesian Mission Ship the MS Southern Cross This ship was in service from 1892 to 1902.

Provenance: The Todd Barlin Collection of Solomon Islands & Oceanic Art

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours. 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Superb Old New Guinea Bougainville Island Chief’s Staff Papua New Guinea

A Superb Old New Guinea Bougainville Island Chief’s Staff Papua New Guinea

This beautifully carved Chief’s Staff is from Bougainville or Buka Islands and dates from the early 20th Century. Though Bougainville and Buka Islands are now semi-autonomous areas of Papua New Guinea, culturally they are more related to the people of the Western Solomon Islands which is just a short boat ride away. In previous times people moved back & forth freely between the Western Solomon’s Shortland Islands & Bougainville and Buka Islands.

The Staff is carved from a single piece of wood, the finial is finely carved in the form of an important ancestor figure with an expressive face, the large round eyes and the mouth open as if in a trance state, and below the head is a pair of arms with the hands held close to the top of the figure’s chest. There are no legs and the rest of the staff is covered with finely woven yellow orchid stem bindings.  The top of the staff ends in a phallic-shaped finial.

The Art of Bougainville & Buka Islands are considered to be surrealist masterpieces, the sculptures are the art of dreams combining ancestral images with totemic animals and birds, some of the finest early Bougainville Island Sculptures are in the Australian Museum Collection here in Sydney Australia & were published in “Varilaku: Pacific arts from the Solomon Islands 2011 at the National Gallery of Australia in Canberra.

Over the 40 years, I have been collecting Oceanic Art this is the finest Bougainville Chief’s Staff that I have seen outside of Museum Collections. There is a very similar Chief’s Staff in the Barbier Muller Museum in Geneva probably by the same artist as this fine example

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY https://www.oceanicartsaustralia.com/about/exhibition-and-publications/

and there is also a link to the article in the prestigious Louvre Magazine 1996 https://www.oceanicartsaustralia.com/art-for-sale/louvre-magazine-june-1996-review-of-exhibition-asmat-et-mimika-d-irian-jaya-april-1996-at-the-musee-national-des-arts-dafrique-et-d-oceanie-paris/

I have artwork for Museums and art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

A Superb Old Pair of New Guinea Dance Clubs Bougainville Island 19th Century

A Superb Old Pair of New Guinea Dance Clubs Bougainville Island 19th Century

This pair of superb Dance Clubs are from Bougainville or Buka Islands and date from the late 19th Century. Each club is finely carved from a single piece of hardwood, the finials are in the form of a stylized ancestor figure with large eyes, and one of the figures has incised triangular designs on the top of its head.

In both clubs, the figures are double-sided with a mirror image on both sides.

Over the 40 years, I have been collecting Oceanic Art this is the finest pair of Bougainville dance clubs I have seen outside of Museum Collections.

Though Bougainville and Buka Islands are now semi-autonomous areas of Papua New Guinea, culturally they are more related to the people of the Western Solomon Islands which is just a short boat ride away. In previous times people moved back & forth freely between the Western Solomon’s & Bougainville and Buka Islands.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours. 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

A Superb Collection of Antique African Hunting Flutes & Whistles West Africa & Congo

A Superb Collection of 30 Fine Antique African Hunting Flutes & Whistles 

This collection of African Hunting Whistles & Flutes was made over the past 40 years of collecting, I was fascinated with the different unique forms of these small-scale artworks.

This collection shows the various forms that these beautiful objects come in, they are used in many parts of Africa both for magical and ceremonial purposes and for hunting in the bush where hunters secretly communicate with each other when using them.

The hunting whistle was used for sending messages using locally agreed signals, similar to the use of drums elsewhere. Though limited in tone, coded signals could convey numerous types of messages to the fields, the forest, another village, the market, a funeral a dance, or a fight. The time of day, arrivals, and departures of friends or enemies could all be signalled. A hunter, equipped with bows, arrows, quivers, and whistles might join groups of men and women from other villages for both hunting and fishing. Hunting was easy as there was plenty of game around.

This whistle implies an anthropomorphic form while retaining the shape of the utilitarian whistle. There are numerous variations on this particular style in which the basic form remains while the angle and shape of the ‘arms’ and ‘shoulders’ vary from strong geometric lines to gentle curves. The ‘head’ or embouchure also varies in size and form. On some whistles a carved human head is the only human feature on an otherwise geometric body.

The geometric outlines of the whistles are repeated in many aspects of everyday life amongst the Gurunsi peoples; for the Nankani the distinctive angular and straight-lined designs symbolize women as child bearers and nurturers. The symbolism is emphasized by using the designs on a range of domestic surfaces such as pottery, basketwork, internal walls, and furniture decorations. Similar designs are used for women’s scarification. Decorative art is thus used as a means of reinforcing cultural beliefs and local ethnic identity.

Provenance: The Todd Barlin Collection of African Hunting Flutes & Whistles

See my new EXHIBITIONS GALLERY  showing the Museums and Art Galleries Exhibitions that I provided artworks for over the past 40 years. There is the link to the article about my artworks published in the prestigious Louvre Magazine in 1996

I have artwork for Museums and art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery. I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specializes in New Guinea and Oceanic Art.  Sydney is very close to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbors.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us 

 

A Fine Old Dance Mask Yaka Suku People from the Congo Africa

A Fine Old Yaka Suku People Dance Mask from the Congo Africa

This large expressive Mask is from the Yaka- Suku People in the Democratic Republic of the Congo Africa.  The reason I own this mask is that I wanted to have a few beautiful African Artworks to mix with my Oceanic Artworks in my home. I have almost no experience in African Art and I only bought what I liked visually. I particularly like the remnants of colour on this mask.

Throughout the southern Democratic Republic of the Congo and Angola, brightly painted and decorated masks are used to mark the transition to adult life. during the initiation period, which may last a year or more, adolescent boys are separated from the village and made to undergo a series of ordeals, including circumcision, designed to measure their strength and courage. These tests often culminate in the boys’ symbolic death as children and rebirth as men. Among Yaka and Suku peoples, the conclusion of the coming to manhood rites is accompanied by performances of dance masks. The imagery that surmounts these masks translates into visual form the lyrics of songs that emphasize gender differences.

Provenance: Old UK Collection:  The Todd Barlin Collection of Tribal Art

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Rare New Guinea Woven & Shell Mask Bogia area Madang Province Papua New Guinea

A Rare New Guinea Woven & Shell Mask is from the Bogia area of Madang Province in Papua New Guinea

The remote region of Bogia, is located between the right bank of the lower Ramu and the mountainous chain known as Adelbert Range, there are few examples of art from this area, this rare type of mask covers the face similar to a wood mask but because it is woven part of the masked dancer’s facial features blend into this beautiful & rare type of mask.

This Mask is finely woven with tree bark fibre string and then decorated with small white Nassa and Cowrie Shells that are stitched onto the front of the mask. A nose ornament and ochre colours complete the mask’s visual effect.

Provenance: The Todd Barlin Collection of New Guinea Art & Oceanic Art.

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

A Fine Old New Guinea Ancestor Figure Upper Sepik River East Sepik Province Papua New Guinea

A Fine Old New Guinea Ancestor Figure Upper Sepik River East Sepik Province Papua New Guinea

This beautifully carved old female Ancestor Figure is from the  Sepik River area in the East Sepik Province of Papua New Guinea. The figure was originally once part of a larger carved house post. The house post was part of a Men’s Cult House or Haus Tambaran where sacred ceremonies took place including the initiation of young men.

Made from a single piece of hardwood, she is standing with her hands on her hips, part of a leg, and her feet are missing where they were once attached to the large house post.

Ancestor figures were an important part of a communities spiritual well-being, they offered protection from malevolent forces and help to ensure fertility for gardens growing large yams and taro.

Provenance: The Todd Barlin Collection of Papua New Guinea Art & Oceanic Art.

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours. 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Superb Old Nagaland Warrior Pendant Necklace Nagaland India & Burma

A Superb Old Nagaland Warrior Pendant Necklace Nagaland India & Burma

This superb old & well-used Nagaland Warrior Pendant was worn by men who were successful head-hunters, its age is obvious and has likely belonged several generations of Naga Warriors

The pendant heads represent headhunting trophies and Headhunting among the Naga tribes is legendary and a great source of great aggravation during the British Colonial era. For the Naga as also with some New Guinea tribes headhunting was essential to the spiritual well-being of communities.

The Naga People are several ethnic groups native to northeastern India and northwestern Burma to Myanmar.

Before Christianity took over traditional Naga Culture each village had its own Morung ceremonial house.  The morung was also sometimes called a “youth dormitory”  and was an essential part of Naga life. Apart from the family, a person’s time living in the morung was the most important part of education and acculturation. The morungs were grand buildings, constructed at the village entrance or in a spot to be effectively guarded. Beginning at puberty, young boys and girls were admitted to their respective gender dormitories. Elders conveyed the Naga culture, customs, and traditions from generation to generation through folk music and dance, folk tales and oral tradition, and wood carving, and weaving, while the young lived in the morung. 

Provenance: The Todd Barlin Collection of Nagaland Art & Asian & Oceanic Arts

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Superb Antique Micronesia Food Bowl Palau Island Federated States of Micronesia

A Superb Old Micronesia Food Bowl Palau Island Federated States of Micronesia 19th Century 

Micronesian Art is highly refined with minimalist forms or great beauty as this finely carved bowl which is made from a single piece of hardwood. Carved in elegant form with slightly flared upraised handles with three mother-of-pearl shell inlay on both handles.

This type of fine bowl was used in bridal dowry where families exchanged fine bowls and woven mats. Finely made ceremonial bowls were only used for special feasts such as weddings & funerals

This bowl likely dates from the late 19th to early 20th Century. Chukk is part of the Federated States of Micronesia.

Micronesia can be divided into two art style areas. Western Micronesia consists of the island groups in the western Caroline archipelago, including Palau and the states of Yap and Truk (Chuuk). Eastern Micronesia includes the eastern Caroline Islands, the Marshall Islands, and Kiribati.
Throughout Micronesia, forms are exceedingly basic; decorative detail is largely geometric, consisting of bands of solid colour and rows of triangles in various patterns. Zoomorphic and anthropomorphic are relatively rare and are often expressed as silhouettes. The most frequent use of even this amount of decoration is found in the western Carolines, diminishing to none in eastern Micronesia.

Provenance:  The Todd Barlin Collection of Micronesian Art & Oceanic Art

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

Please make an appointment to visit the gallery so you can see many more rare items and the finest masterpieces.

For all inquiries, please contact us.

 

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