A Superb Collection of Nepalese Antique Wood Phurba & Drum Handles Western Nepal 19th Century

A Superb Collection of Nepalese Antique Wood Phurba & Drum Handles Western Nepal 19th Century

This collection of 25 Phurba & Shamanic Drum Handles was collected over a long period, once I had a few I could see how beautiful they looked together as a group. Each Phurba is a small sculptural masterpiece but together they are something more amazing.

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In the Kathmandu Valley, the Phurba is still in use by shamans, tantrism, and lamas of different ethnic backgrounds. The Phurba is used particularly intensively by the Tamang, Gurung and Newar peoples. The Phurba is also employed by the Tibetans native to Nepal the Sherpas, and the Tibetans living in Dharamsala. The Phurba is also used in religious rituals in Bhutan, and can most often be found in the temples and altars of Bhutan.

The Phurba is a three-sided peg, stake, knife, or nail-like ritual that is deeply rooted in Indo-Tibetan Buddhism and Bön traditions. Its primary association is with the meditational deity Vajrakīlaya (Dorje Phurba), embodying the essence of transformative power. The etymology and historical context of the term reveal some debate. Both the Sanskrit word “kīla” and the Tibetan “Phurba” are used interchangeably in sources.

The construction of the Phurba is diverse, featuring a pommel, handle, and a blade with three triangular facets. The composition often revolves around the numerological significance of three and nine, with materials ranging from wood and metal to bone and crystal. Phurba blades can be made from meteoric iron, which holds symbolic importance. The pommel typically displays the faces of Vajrakīlaya or other sacred motifs. These implements a spiritual tools, embodying stability and energetic continuity.

The Phurba’s ritual usage is extensive and encompasses various practices. It is used to establish stability during ceremonies and symbolizes powerful attributes of Vajrayana deities. The Phurba’s energy is fierce and transfixing, used for purposes such as exorcism, weather manipulation, meditation, and blessings. The implement’s connection with Vajrakilaya represents the transmutation of negative energies.

Provenance: The Todd Barlin Collection of Oceanic & Asia Art 

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